Blockbusters like Mad Max: Fury Road and Star Wars: The Force Awakens both entertained the filmgoing audiences and made money for the studios.Dramas and biopics told stories about people and events that shaped politics and culture, including Brian Wilson of the Beach Boys in Love and Mercy, ⦠Aug 20, 2014 - Rock stars. There is an absurdly vast selection of music movies and documentaries available on Netflix, Hulu, HBO Go, and on and on and on.But itâs hard to tell which ones are actually worth your 100 minutes. Peter Pan - J.M. However are his joke radio commercials for upcoming local shows really artistic triumphs? My desire for Cobain music isn’t rooted in mainstream acceptance or even pop sensibilities (in the traditional sense). The soundtrack works for me because of the sheer variety therein; it neatly avoids the trap. I still listened to all the leaks of course but did anything stir me as much as the MoH soundtrack? Pink, Kurt Cobain, Jared Leto and Linda Ronstadt. Also your comments about the bizarre trend of how underrated nirvana are in the punk scene – they are basically ignored. Or at least thatâs what last yearâs remarkable documentary Cobain: Montage of Heck would have you believe. This was the experimental “look how much art kurt tried out” album, we already got it and it was a bomb. Our planet seems unanimous in the belief that Empire is the best of the Star Wars films, which of course it is. Actually it’s weird how underrated nirvana is in the punk scene. Please don’t take this as a dig (hard not to I know), or get defensive right away (even harder I know) but if anything (I imagine there’ll be nothing), maybe think about it reflectively (yeah I know the justification makes it way too easy to do that). Your reviews are great, as in as good as anyone else who is a critic or does reviews. I’ll probably only pull the more complete songs from it but at the same time I’m not mad at the Nirvana camp. I cant believe they are⦠It’s like he’s writing a second song, first, the instrumental music, then the vocal melody – the rise-and-fall cadence showing where he might stretch for a note, where he might go from murmur to roar – then, finally, he converts those sounds into words/lines slaved to the initial tune. And feel free to respond about how no one knows what someone else would think so that opens it up to how anyone can review anyone and therefore it’s alrigt and then that’ll make sleep easier tonight. as facing. The latest update reveals that the Brett Morgen film is now set for release on the big screen as well. Yet that song meant enough to Cobain that he pushed them to include it – he didn’t fight for anything else to be a part of that record, he even let Sub Pop choose the order of songs. 1. Anything over that consisting of song-follows-song-follows-song-follows-song would lack drama. It further emphasizes the distinction between ‘domestic’ Cobain (non-screamer) and ‘public performance’ Cobain (screamer) which the Montage of Heck project has so neatly picked out. Knowing there is better material (like the stuff that was leaked, VCV & PT) gives me hope for a more song oriented album. The very first CD he bought for himself was the Dumb & Dumber soundtrack when he was twelve and things only got better from there. But itâs hard to tell which ones are actually worth your 100 minutes. The Kurt Cobain – Montage of Heck: the Home Recordings soundtrack ultimately felt no more intrusive or voyeuristic than scrabbling through a painter’s paint palette – the ‘voyeur’ comment is shown to be just another cliche tossed at every posthumous project, not just Cobain’s. Do you need another Eighties’ vintage hard rock/hair metal demi-god or 2000s commercial hip hop bling merchant lauding it over you? Evening J, hope you’re A-OK. My view is pretty simple – I’ve put my thoughts out into the world and I’m more than happy for you to comment (and utterly unconcerned whether that might be negatively or positively) because that’s what making something public is about – it’s about turning it into something open for inspection not demanding a particular reaction from anyone. ‘Rehash’ features lines related to the typical bar band/cover band scene that dominated the Aberdeen/Grays Harbor area. The (brief) bursts of experiment are a neat contrast and, likewise, the spoken word pieces too maintain the uncertainty over “what comes next?” These interventions and deviations keep the surprise factor high throughout. The way snags from one or another place in Cobain’s work appear in fresh contexts also entertains, whether that means the “why is that so groovy?” line taken from ‘Spank Thru’; or the bullying scene from ‘Beans’ (on ‘With the Lights Out’) reappearing as a distinct (and extended) element here; or his fixation with using sped up tapes to create squeaky helium voices… For the first time I’ve realised this wasn’t just a one-off, this was an approach to creating new voices Cobain enjoyed – something fun and worth a smile. It’s much simpler to add a pretty melody to an e,g,d,c than to all the tritone and bizarre chord changes nirvana utilized. That’s alchemy – and it’s a magic open to anyone who wants it. It’s a total a failure, but I haven’t stopped listening since it came out (although admittedly with heavy editing). I say all this not necessarily as a knock to the documentary (Krist Novoselic casually shrugged off Buzzâs comments for whatever thatâs worth), but more just as a heads up to the lens through which it should be viewed. I confess I’ll definitely listen to – but am not crying out – for yet more ‘ever so slightly different to what we already know’ studio takes. It’s amazing it’s taken twenty years to finally meet this guy on record – “hello Kurt, nice to meet ya.”. Because it seems we're getting both new Chinese and Korean movies every week, Boston Common also gets Veteran, a fun but kind of bloated action movie by Ryoo Seung-wan that features Hwang Jeong-min as a cop trying to take down a psychopath from a wealthy family played by ⦠Buy Nirvana: Reading Festival 1992 [DVD] from Amazon's Movies Store. Nov 9, 2013 - Explore Scott Colson's board "Ghosts of Rock Images" on Pinterest. 21st Century Dodos: A Collection of Endangered Objects (and Other Stuff) - Steve Stack 6. The balancing act of ‘Rehash’ next to ‘You Can’t Change Me’ stands out for me. Alice In Chains, The Devil Put Dinosaurs Here. Johnny depp and all the rest. Jimi Hendrix, Brian Jones, Jim Morrison, Robert Johnson, Janis Joplin, D. Boon, Chris Bell, and so on and so on. Cobain had nothing against people talking to him or about him – but ultimately I just stay true to that last word ’empathy’ even while being as honest as I can be in what I think and feel. Stop!”. Its easy to write a pop song over pop music, try writing one over a wall of noise . They did both, but some people can’t hear them for pop songs because of the feedback and in tune screaming. It does portray Cobain in a certain light (which isn’t a negative one) but it’s mostly just scraps of ideas for songs and audio experiments. Create a free website or blog at WordPress.com. One of Cobain’s signature elements – his scream – is isolated and captured in this single, solitary moment, otherwise absent. You’re the superstar.” I remembered those lines a lot while listening to this record. The roots of all these personality traits, we find, go back to a deeply unsatisfactory childhood where he was bounced between parents who were incapable of connecting to him emotionally, when he wasnât trying their patience and getting on their last nerve with his restlessly creative energy that is. Outside of the overt tribute of ‘And I Love Her’, other points seem to show Cobain learning from songs that caught his eye. First, as a filmgoer I want to begin by acknowledging that 2015 was an excellent year for movies. âThatâs the one thing no one gets about Cobainâ¦â Buzzo continued, ââ¦he was a master of jerking your chain.â Maybe some day weâll get an objective investigative look at Cobain, but despite a ton of primary sources, Montage, with its gentle soundtrack of lullaby Nirvana covers, resolves itself to poetically tug at your heartstrings more than concretely inform. Itâs the same with Kurt, who just maybe needed a few more years to get his own shit together, at which point he might have followed in the footsteps of Pearl Jam and R.E.M., similarly famous bands from that era who both founds ways to functionally ease the music industry pressures without losing artistic credibility. I actually like his more atonal stuff, that he was able to put such gentle melodies on such abrasive material I think speaks more to his talent than the obviously more “pretty” songs he wrote. Also thank you for taking the time to not only read these comments, but respond to them, you maintain an excellent blog here. He may have become a great spoken word artist, who knows? Knots and Crosses (Rebus 1) - Ian Rankin 3. But the wording- well you report like you’re speaking for Kurt or that you know exactly what Kurt would/think feel. Cobain took the base metals present on this release and shaped them into gold through persistence and experimentation. As I’ve mentioned elsewhere here the fact that Steve Albini says he still listens to In Utero occasionally, is the most extraordinary and underrated compliment ever. Oh this release…. Across the Montage of Heck soundtrack, Cobain strains his voice, never letting loose his full force or volume. I never really saw any of nirvanas songs as “mainstream worthy” and honestly its mind boggling to me that a band like nirvana was ever even in the mainstream- especially given the vapid tastes of the early 90s (boyz 2 men, Whitney Houston, garth brooks?! But nirvana may as well be pearl jam as far as anydiehard crusty (as you amusingly put it) DIYer is concerned. There’s a further sense of him finding his voice by testing others in the way he did very explicitly on the ‘Fecal Matter’ demo. Nope. We watch the Kurt Cobain doc, Montage of Heck. Absolutely have NOT stood the test of time. No band is special, no player royalty. ‘Montage of Heck’ demonstrates the other Cobain that was always there in the background agitating for squeaky toys to be added to songs, for randomness to replace the grind of regularity, responsibility and compromise. Everyday low prices and free delivery on eligible orders. One of my favorite aspects of HBOâs Westworld is the music, particularly the acoustic covers of modern rock and pop songs, many of which sound like they could be coming from a player piano in the showâs Old West saloon.The first seasonâs soundtrack, composed by Ramin Djawadi, featured covers of songs by Radiohead, Amy Winehouse, and the Rolling Stones. Newtown: An American Tragedy - Matthew Lysiak 7. This primal noise was of coarse vital to their sound which makes cobains pop sensibilities very idiosyncratic (and also not always utilized, I’m not ignoring the noise songs without melodies- this release could be just those and itd still be worth more a listen then what this is). Change ), Dark Slivers out now: Kindle ebook or, for paperback, email NirvanaDarkSlivers@gmail.com, Cobain: The Man Who Sold The World (Thank You Jasmine), The Stooges: Round Up The Rarities Part Three, "I Played With Nirvana" – Eyewitnesses 1987-1994, After In Utero – The Final Year 1993-1994, Dark Slivers: Seeing Nirvana in the Shards of Incesticide, I Found My Friends: the Oral History of Nirvana, No Seattle: Forgotten Sounds of the North West Grunge Era, My Ever Long-Winded Thoughts on Kurt Cobain – Montage of Heck: the Home Recordings, Montage of Heck Soundtrack Reviews Compendium. What’s telling is that when Cobain barks “chorus!” it’s not a note for the future, it’s a deliberate lyric – he already has a chorus (i.e., “rehash!”) What he’s actually doing is parodying the local bands who just wanted to do impressions of Van Halen in a formulaic way hence ‘rehash’ and hence the lyrics “solo! They’d do well next time to forget filling the album with every failed art experiment kurt attempted and just stick with songs (even if some fans find it interesting, it’s clear this was a failed idea, maybe this more experimental material can be kept to releases like Cobain unseen, which if i recall most people never listened to). I understand the criticism. Three very good episodes of American Crime. ‘Rehash’ fits into Cobain’s ’86-’88 spell of writing songs marking his disdain for aspects of his surroundings. That’s where the brief intervention of ‘Scream’ stands as a neat juxtaposition. The deviations within the soundtrack appeal and I can’t see how else one can really showcase the scale and variety of what Cobain was doing in a more polished record. box of poet blood. ( Log Out / There’s an apparent snatch from Shocking Blue’s ‘Venus’ in the ‘Rehash’ riff for one (thank you Marcus.) So true! The Empire Strikes Back was released thirty-five years ago today. Do you want to believe that great achievement only comes from the mythical 1% of magic geniuses who we should feel lucky are willing to share their gifts with we lucky mortals? journaling prompts for chronic illness. Now take the person who knows you best in the world, then take someone who’s ONLY read about you and only knows you based on what you’ve said to (nearly all) major publications (feel free to include ALL sorts of home movies, etc.). Every nirvana release ever was a collection of songs- because they were musicians and this is what they were good at. So where’s the harm in an opinion being wrong? For me his artistic legacy was music hence my greedy desire for more melodies. But obviously you don’t think you’re Kurt, we know that. I can’t get a single disbastard crust lord to not groan when i mention them. ( Log Out / What Cobain was really good at was writing songs- even his scraps are good on this (to my ears). Discussion Kurt Cobain: Montage of Heck Author Date within 1 day 3 days 1 week 2 weeks 1 month 2 months 6 months 1 year of Examples: Monday, today, last week, Mar 26, 3/26/04 I don’t. Something like ‘the Yodel Song’ shows him finding the sounds that fit the music long before he considers creating actual words. Placing ‘Rehash’ and ‘You Can’t Change Me’ next to one another is a neat trick of arrangement as it calls out Cobain’s self-knowing comment on his way of creating songs. And have you EVER gotten a gist of what Kurt would think about you as a person or what you’re doing (which of course does not excuse anyone else who does what you do or make those people any different) or what kind of person or what sort of regard he would hold you in? On one hand it is exactly what Brett Morgan said it was. Billboard reports that the documentary will be shown in Los Angeles, New York and Seattle cinemas beginning 24 April. 20 Mar â It was recently reported that an upcoming documentary entitled "Kurt Cobain: Montage of Heck" is coming to HBO on May 4. Macqueen) video. I got the feeling of embarrassment several times during this album, not because kurt wouldn’t want me to hear it, but because i didn’t want to hear it. Partly it’s because, over an acoustic rather than the roar of a full band practice, the sound would be too stark – it would overwhelm his playing. In other places a single line might point toward the future, for example in the way ‘You Can’t Change Me’ echoes the chorus of ‘Swap Meat’ or how the word ‘recess’ creeps in alongside ‘rehash’ and ‘rehearse’ before he explicitly smacks “smoke hash” down at the end of ‘Rehash’ to show he’s knowingly playing with the word and how it might sound in his mouth, working it over, chewing on it, trying it on for size. El-P, Cancer 4 Cure. I thought the release was really lovely and I enjoyed it very much. With heartfelt lyrics that spoke to alienation, self-doubt, and frustration, delivered with a frenetic punk rock energy, Cobain became the unwilling âvoice of a generationâ that was just coming out of the bleach blonde bouffant corporate rock stone age also known as the nineteen eighties. People mistake my criticisms of this release for dislike. Breaks off a lot of the clunk from the first film, avoids the retreads of the third. The pair mended bridges prior to the release of the documentary about the late singer, Kurt Cobain: Montage of Heck, which was released 2015, and Frances acted as executive producer on. AURAL. ?, before I finally said forget it. He never refined those enough to feel comfortable showing them to us. There is an absurdly vast selection of music movies and documentaries available on Netflix, Hulu, HBO Go, and on and on and on. This was who Cobain was when he was alone and who, in his own telling, he would have liked to have had the bravery to be in public with no apologies, no politeness, no pulling his punches at the last minute as he often did. ZZ Top, Eliminator. (something imo sonic youth could never do- despite their greatness as an experimental noise rock band, i don’t think their melodies ever crossed into pop territory- just my opinion of coarse). No wonder people thought he was mumbling or incoherent when sounds were so malleable to him. And what a scream too. articles. Or (I assume you don’t) do you even care at all? I write, as a fan, spreading a love and appreciation of something I enjoy – close friends of Cobain’s and members of his family have made clear they appreciate me and given Cobain himself is dead I’m at least happy to have spread a little goodness. I finally got my deluxe cd in the mail and listened to it twice all the way through on seperate occasions. Courtney Love has been cast in The Long Home, the 1940s Tennessee-set drama based on William Gayâs debut 1999 novel that James Franco ⦠I’d of paid $20 for a 10 minute Do Re Mi so paying $20 for a CD doesn’t bother me. ( Log Out / This weekâs edition covers Montage of Heck, a documentary about Kurt Cobain, which is streaming over on HBO. I’ve had my own “Kurt’s Home Recordings” album for some time and looked forward to adding more to it but this was a hard listen for me. Kurt Cobain Montage of Heck (HBO) John Wick: Chapter 3; Woke (Hulu) Midsomar; Us; Get Out; Supernova (dir. What I’m referring to here are the songs stripped down to their core. They all clearly made their own indelible marks on pop culture, but in a sense they were all still kids that had so much more maturing to do. I’d be very sad if Cobain’s music became a case of fan’s tastes rather than what he was actually doing regardless of what fans, record labels, the mainstream wanted. What you wrote really spoke to me. That’s another element missing from critiques of the record. Do you know what a remora is? 450 posts down the line, I come back to the line from Minor Threat’s song ‘In My Eyes’, “at least I’m ****ing trying, what the *** have you done?” Which isn’t aimed at you – it’s a challenge to myself, to keep writing, keep working, keep putting in energy to the people and things I appreciate. This is 114 1/2 Pear Street. Change ), You are commenting using your Facebook account. He’s regularly testing what he could do with his voice whether that’s through his story-telling tone, the voice he uses for poetry, the different singing styles he attempts. Sub Pop refused to let Cobain break the mood of ‘Bleach’ by putting ‘Beans’ on. Nirvanaâs MTV Unplugged in New York album opens with Kurt Cobain infamously introducing the song âAbout a Girlâ with the line âThis is a song off our first record⦠Most people donât own itâ¦â Itâs a playful elbow to the ribs for the bandwagon jumping posers who only came on board with the massive success of Nevermind, but in truth we were all relative latecomers to Kurt Cobainâs life. Itâs a little known fact that most things donât have ears. Yes, I care about this recording because it’s Kurt Cobain and because that’s someone, a music, a topic, I care about. A casual listener might wonder why Cobain kept all these random pieces, but the impression is reinforced that Cobain genuinely listened back to these pieces and cannibalised aspects that caught his ear and imagination. I don’t care that he tried spoken word sometimes, he wasnt particularly accomplished at it- thats largely where this went wrong. Posts about Julia Kent written by phillipmaher. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. I also wouldn’t want anyone to hear me doing this shit- everyone experiments, but no one’s are any good the first time round. Unlistenable. Instead, he marked later intentions, where his yells would go – a guide in place for when he could later let rip. 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