gregg bordowitz poems

Gregg Bordowitz and Felix Gonzalez-Torres’ work and histories give us space in which we can recognize the activism and poetry with which artists responded (and are still responding) to health and social crises that create moments of collective urgency, uncertainty, and resilience. He altered his tone from passage to passage, carefully accentuating both rhythm and rhyme and at times bursting into song. Here you are and here you will remain, in our urgent wordsWhat we declaim; as long as there is breathI will speak to you; for your ears to hear and eyes to light;and test the bounds of acceptance by your example,your standard,             for what else is there to do? Hoffman used the phrase ‘push and pull’ to describe how a painter should create movement within a painting using contrasts of colour, form and texture. Performance view, New Museum, New York, January 19, 2018. Keep up to date with Tate events, exhibitions and news. Since the late 1980s, writer, artist, and activist Gregg Bordowitz (b. His books include General Idea: Imagevirus (2010) and The AIDS Crisis Is Ridiculous and Other Writings 1986–2003 (2004). Push and Pull was an event based on Alan Kaprow’s performance environment Push and Pull: A Furniture Comedy for Hans Hoffman 1963. 1964, Brooklyn, NY) has made diverse works—essays, poems, performances, drawings, sculpture, and videos—that explore his Jewish, gay, and bisexual identities within the context of the ongoing AIDS crisis. 1964, Brooklyn, NY) has made diverse works—essays, poems, performances, drawings, sculpture, and videos—that explore his Jewish, gay, and bisexual identities within the context of the ongoing AIDS crisis. “Gimme danger, little stranger / And I feel your disease.” —Iggy & the Stooges, “Gimme Danger,” 1973 For Gimme Danger, Gregg… At one point Bordowitz even suggested to the audience that they could, or even should, leave half-way through to make room for those fictional masses outside. All rights reserved. Statements, dialogue, letters, epigrams, and poems by sculptor Carl Andre, a central figure in minimalism. The exhibition is curated by Stephanie Snyder and is part of the Portland Institute for Contemporary Art’s 2018 Time-Based Art Festival. Over the years, Bordowitz, 54, has relentlessly examined AIDS and identity through various media — videos, sculptures, drawings, essays, and poems — and I Wanna Be Well will touch on all of it. 1964, Brooklyn, NY) has made diverse works—essays, poems, performances, drawings, sculpture, and videos—that explore his Jewish, gay, and bisexual identities within the context of the ongoing AIDS crisis. (A film trailer for And You Were Wonderful, On Stage) 2014, If Tate Modern was Musée de la danse? His most recent book, General Idea: Imagevirus, was published by Afterall Books in 2010. Piano keys strike dissonance,and still the body hears whole,yet heals nothears naught, Inside the ear beats drumsHow sound remains after chords strike             silence, Stars glisten here, die thereWe are struckOur attendance is a violence enjoyed, Notes decay; that is their beautyThat’s how glass stainsReligious imagery, We are massesOne among many in the madness of crowdsPellets dispersing in aggregates, Wars of attrition depopulateour pleasures,and yet the meanest wafers soothe, Counting, all makes sense,just as each seed knotted along stringpreoccupies, breathebreath stillsbreaths stillall now still. Hoyle – who wore a black jacket, scarf and trousers, but no shirt, leaving him bare-chested – performed something between a philosophy lecture, an epic poem and a theatrical monologue. He declared, in response to one question, that the lecture that evening would mean there was no more need for critical theory. In the past year, ... A Meditative Poem, presented March 18th 2011, at the Tate Modern, London. For example, his 2012 poem “There: A Feeling” features the artist stating, “I’m trying to show how conjunctions yield new substances.” He then introduced ‘Professor Hoyle’, a fictional character played by the British performance artist David Hoyle who then began his performance. Digital numbers do not resemble the deceased clock face,as the reading table does not hear the gun shot massacresfired from the unregulated arms of hatred’s twists,obeying president’s bellowing speeches. Excerpt: Question and Answer. PHOTOGRAPH COURTESY NEW DIRECTIONS PUBLISHING Consequently this piece activated Foucault’s work for a younger generation and in a different context. Gregg Bordowitz is a writer, AIDS activist, and film and videomaker. The title draws on an eponymous collection of writings by poet J.H. The idea of expanding the use and implications of theory was central to the two-day Push and Pull event at Tate. Terms & Conditions, October 22, 2019 “Gimme danger, little stranger / And I feel your disease.” —Iggy & the Stooges, “Gimme Danger,” 1973 For Gimme Danger, Gregg… Other rates may apply . With an essay by Sara Nadal-Melsió, professor, writer, curator and poems by Gregg Bordowitz. Gregg Bordowitz, The AIDS crisis is ridiculous: and other writings: 1986–2003, Cambridge, MA 2004.As told to David Velasco, ‘Gregg Bordowitz’, Art Forum, 1 October 2010, http://artforum.com/words/id=26517, accessed 1 October 2015.Gregg Bordowitz, ‘Sex Mitigating Death: On Discourse and Drives: A Meditative Poem’, Projects, artist’s website, 2011, http://www.greggbordowitz.com/projects.html, accessed 1 October 2015. Kaprow repurposed this phrase from its original application in relation to painting and instead applied it to performance, transposing this theory from the flat canvas into a three-dimensional social space. . His most recent project is an opera conceived as a collaboration with the artist Paul Chan, titled “The History of Sexuality Volume One By Michel Foucault: An Opera”, which premiered October 1 and 2, 2010 in Vienna, Austria. Gregg Bordowitz I Wanna Be Well On view August 30 - October 21. Eliot Hall, 3203 SE Woodstock Blvd., Portland OR . His collaboration with artist Paul Chan, titled “The History of Sexuality Volume One By Michel Foucault: An Opera,” premiered in October 2010 in Vienna, Austria. "Heard Immunity: Poems and Pictures Now" was conceived by Gregg Bordowitz this summer as a response to the public health and safety crises unfolding in the context of intensifying political and economic destabilization. A collection of his writings —titled The AIDS Crisis Is Ridiculous and Other Writings 1986-2003— was published by MIT Press in the fall of 2004. Sex Mitigating Death: On Discourse and Drives: A Meditative Poem was a lecture-performance conceived by the American artist Gregg Bordowitz, exploring the French philosopher Michel Foucault’s theories on death and sexuality. Excerpt: I Will Lie With My Love. Gregg Bordowitz, Some Styles of Masculinity, 2018. Sponsored by the Cooley Gallery—Part of the Visiting Writers Series, Reed College English Department. Over the years, Bordowitz, 54, has relentlessly examined AIDS and identity through various media — videos, sculptures, drawings, essays, and poems — and I Wanna Be Well will touch on all of it. He is the author of Minimalism: Art and Polemics in the Sixties and the editor of The AIDS Crisis is Ridiculous and Other Writings 1986-2003 by Gregg Bordowitz (MIT Press, 2004). His books include General Idea: Imagevirus (2010) and The AIDS Crisis Is Ridiculous and Other Writings 1986–2003 (2004). The Douglas F. Cooley Memorial Art Gallery is proud to present the first retrospective of the work of renowned American artist, activist, writer, and educator Gregg Bordowitz. Gregg Bordowitz POETRY READING Free . Acatia Finbow, 'Gregg Bordowitz, Sex Mitigating Death: On Discourse and Drives: A Meditative Poem 2011', case study, Performance at Tate: Into the Space of Art, Cally Spooner, He’s in a Great Place! Bordowitz presented Sex Mitigating Death: On Discourse and Drives: A Meditative Poem as part of Tate Modern Live: Push and Pull (18–19 March 2011). 1964, Brooklyn, NY) has made diverse works—essays, poems, performances, drawings, sculpture, and videos—that explore his Jewish, gay, and bisexual identities within the context of the ongoing AIDS crisis. His collaboration with artist Paul Chan, titled “The History of Sexuality Volume One By Michel Foucault: An Opera,” premiered in October 2010 in Vienna, Austria. Visiting Writer Gregg Bordowitz Discusses Poetry, Projects On Thursday, September 13, Gregg Bordowitz — the English Department’s first visiting writer of the year — conversed with students about his work at Poetry Salon, with students and community members and faculty all in attendance. James Meyer is Associate Professor of Art History at Emory University. O, the dogs are barking in packs unleashed acrossour increasingly uninhabitable terrain;this feels familiar, So? Gregg Bordowitz is an artist, writer, and teacher. Gregg Bordowitz presents a new lecture-performance about the legacy of Michel Foucault, introducing the major themes and philosophical insights of one of the most influential philosophers of the late twentieth century. Apr 4, 2019 - Jul 14, 2019. Tate Modern, 2011. A year earlier Bordowitz had presented The History of Sexuality Volumes One, Two, and Three by Michel Foucault: An Opera at Museum Moderner Kunst (MUMOK) in Vienna. Ahead of hi Tate Modern, 2011. He wrote and directed Sex Mitigating Death: On Discourse and Drives: A Meditative Poem, presented March 18th, 2011, at the Tate Modern, London. Gregg Bordowitz and Douglas Crimp. For this exhibition, Glenn Ligon is exploring American history, literature, and society by focusing on words, their meaning and illegibility. James Meyer is Associate Professor of Art History at Emory University. Free and open to the public. Gregg Bordowitz is a writer, AIDS activist, and film and videomaker. I grew up in Queens when public schools had much more funding in art education. Excerpt: Question and Answer. Gregg Bordowitz is an artist and writer. Sex Mitigating Death: On Discourse and Drives: A Meditative Poem. Just as Carl Andre's sculptures are "cuts" of elemental materials, his writings are condensed expressions, "cuts" of language that emphasize the part rather than the whole. ‎Consisting entirely of questions, Volition is an active, mind-bending engagement with the reader, who is led down paths of inquiry involving art, meaning, philosophy, choice, happiness, and identity. Sew buttons! To complement the exhibition, Bordowitz published “Autumn U.S.A.,” a poem in twelves parts that is distributed in the first gallery, wherein he measures the … Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. 1964, Brooklyn, NY) has made diverse works—essays, poems, performances, drawings, sculpture, and videos—that explore his Jewish, gay, and bisexual identities within the context of the ongoing AIDS crisis. (142) Although the operation had been filmed he declined a copy of the video knowing he would use it in his work. Doors open at 12:30 PM. Gregg Bordowitz and Felix Gonzalez-Torres’ work and histories give us space in which we can recognize the activism and poetry with which artists responded (and are still responding) to health and social crises that create moments of collective urgency, uncertainty, and resilience. Since the late 1980s, writer, artist, and activist Gregg Bordowitz (b. Share . He is the author of The AIDS Crisis Is Ridiculous and Other Writings, 1986–2003 (MIT Press, 2004), General Idea: Imagevirus (Afterall Books, 2010), Volition (Printed Matter, Badlands Unlimited, 2010), and Glenn Ligon: Untitled (I Am a Man) (Afterall, 2018). Thursday, September 13 at 6:30 PM; Location Reed College Chapel. Acting as the ‘academic’, Bordowitz walked to the front of the empty Tate Modern gallery, which had been laid out to resemble a lecture hall, and stepped behind a grey podium adorned with a skull. Your death knew neither night nor day,was it late or early morning?Does it matter?Are you matter?Are you more or lessthe cool forehead kissed? He then spoke with Corrine Fitzpatrick, the guest editor of Risk Pool. Poetry reading: September 13, 6:30–7:30pm, followed by reception at the Cooley Reed College chapel, Eliot hall The Douglas F. Cooley Memorial Art Gallery, Reed College, is proud to present I Wanna Be Well —the first retrospective of the work of renowned American artist, activist, writer, and educator Gregg Bordowitz . Tate Modern was Musée de la danse Other Writings 1986–2003 ( 2004 ) at times bursting into.... He altered his tone from passage to passage, carefully accentuating both rhythm and and... And rhyme and at times bursting into song by rate OR flow, wave particle! 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